I have been working on this sewn tunic this week.
WIPW127-oryelkutcht
The kutchwork pattern was traced onto the tunic with white carbon. Not a very bright idea.
The pattern-
WIPW127.oryelkutcht-pat
When a time was conducive I started with brown thread. The design was very light after so many weeks. The brown thread in Chennai sunlight did not match so well as in Muscat indoor light. Still eager to start the project, I started with the basic stitches with brown thread. While working on it bought red and yellow threads. After ensuring the points are covered with brown thread, started with the yellow thread.
WIPW127-oryelkutcht-1
The basic stitches in brown are interlaced with red thread. This looks much better than the dull brown. Controlling the urge to work mirrors.
WIPW127-oryelkutcht-2
The four motifs below the neck was worked in red thread.
WIPW127-oryelkutcht-3
The pattern is now is worked with yellow thread.
WIPW127-oryelkutcht-4
The centre and other spaces are worked in half white thread. By this time the design from white carbon has completely vanished. This pattern was also drawn on 2mm graph paper.
WIPW127-oryelkutcht-5
The project is completed without mirrors.
WIPW127-orange yellow chanderi kutch tunic
The embroidery detail-
WIPW127-orange yellow kutch tunic-det
The tunic looks nice even without the embroidery. An outline stitch around the neck would have been sufficient.
The 17th stitch on SSS challenge seems like an easy stitch. Started working on the sampler today.

I am in Chennai, India for vacation. Embroidery is not part of this routine. Still some small assignments are worked in between other work. This tunic was worked in the summer of 2016.
After working two tunics in lemon green and white combination some pieces of lemon green fabric was lying around. A kutchwork embroidery seemed like a good idea. There was this tunic fabric in half white cotton block printed with the same colour.
whigremajekutch-f
I wanted to add another colour to this white. A medium majenta thread was chosen.
whigremajekutch-f2
Drawing diagonal kutchwork on 2mm graph paper gives a dainty look. The border pattern-
whigremajekutch-pb
The pattern below the neck-
whigremajekutch-py
I started with the first sleeve border.
whigremajekutch-1
Making the anchoring stiches was not so difficult. Care was required to work the stitch at the precise point and moving over or under the thread had to be accurate. The interlacing was not so easy, because of the daintiness of the pattern.
whigremajekutch-2
This is the same story in the second part of the journey, still it was better to work the outer squares.
whigremajekutch-3
Instead of looking for another colour, the single line kutch border was worked in green. An idea of working this border in white was considered and rejected.
whigremajekutch-4
I moved on to the yoke at this point. The kutch work in green thread.
whigremajekutch-y1
The basic kutch squares worked in majenta.
whigremajekutch-y2
Worked the border in majenta and the back stitch outline was worked in white. This piece was completed.
whigremajekutch-y3
The border on another sleeve was worked.
whigremajekutch-5
The embroidered pieces and the tunic fabric was given for sewing.

white green majenta kutch tunic
The detail.
white green majenta kutch tunic-det
After a while, a cotton fabric with same lemon colour tones was bought for salwar [ Indian  pants].
white green majenta kutch tunic-salwar
I wore this tunic set last week. It was cool.

This is the second tunic with lemon green and white combination. This summer these two colours were predominant in the tunic embroidery projects.
The fabric is handloom cotton and the embroidery was done with white cotton skein and some details worked in white perle cotton #8. There are two design elements. The first element is borders which were worked on the sleeves.

lemgrechi-sleeves

lemgrechi-sleeves

The same border design was worked around the neck.

lemgrechi-neck

lemgrechi-neck

These designs were drawn by hand with a foot ruler. The pattern was drawn on the wrong side of the cloth and embroidery was also worked on the wrong side. The fabric being see-through, was placed on the pattern and the floral design was traced with a pencil.
Started the embroidery in the centre.

lemgrechi-1

lemgrechi-1

The work in progress of the floral design. The shadow work/ chikan work/ closed herringbone was worked with four strands of cotton skein. I felt the thickness of the thread will make the embroidery more prominent.

lemgrechi-wip

lemgrechi-wip

After working the herringbone stitches in cotton skein, white perle cotton# 8 was used to work the straight stitches inside the petals. These straight stitches were worked on the right side of the fabric.

lemgrechi-2

lemgrechi-2

The last detail of French knots worked on the flowers.

lemgrechi-3

lemgrechi-3

After the completion of the embroidery the fabric was given to tailor for sewing. The tunic

lemon green chikan tunic

lemon green chikan tunic

The detail.

lemon green chikan-det

lemon green chikan-det

It has been a while since I have done chikan work embroidery. It is easy to work, that’s a blessing. The embroidery needs to cover fairly a large area because of the subtlety of the work and the colours used. The pattern-

lemgrechi-pattern

lemgrechi-pattern

This tunic does not have lining. If required a slip can be used. I have one in this green. Sometimes it is hard to get lining fabric in cotton in this place. Since a polyester fabric will take away the comfort factor, it is better to go without a lining.