A stitch a day is the way I have been working on this monthly challenge.
A shape made of cretan stitch and herringbone stitch combo was worked inside the design.
The detail of the stitched shape.
The sampler growing with some more stitches.
A herringbone and cretan combo again.
First sample is cretan tree shape and the second one is fly and scroll stitch tree shape.
These tree shapes were worked in triangular cretan, Algerian eye part and fly stitches.
Another motif worked with cretan stitch and buttonhole centre. the organic design is worked with up and down buttonhole stitch and detached chain stitch.
The first sample worked with berry stitch leaf with back stitch outline and the second sample is worked with queen stitch leaves.
The queen stitch is worked around the shape inside the design too.
A few more stitches to go.



The idea of working the isolated shapes on a random design is growing slowly.
Started with some woven crosses, moved onto colonial knots [ which need more practice] and worked some isolated back stitches.
The design looks like this after working the outline with stem stitch and Pekinese stitch.
What if the name of stitches worked inside the design is forgotten at a later time. Better to work them separately and note them down. The last two samples on the right are back stitch squares, an idea to interlace through them is to be done.
After the interlacing.
The interlaced back stitch squares are inside the design now.
Some isolated triple chain stitches and arrowhead stitches are worked on the design.
The triple chain and arrowhead stitches are worked for future reference.
After working Algerian eye variation, a part of Breton stitch is taken for study.
Algerian eye outline on the design
The part Breton stitch used as linear stitch here.BTAST-2-13


The needlepoint tapestries are worked with this stitch. When this stitch became a part of SSS challenge last week, there was an anticipation to work a small flower in tent stitch. The days went by, realizing it is almost the end of the week, decided to work the stitch as sampler. The working is on Queenie’s blog.
The sampler starts with a single row of tent stitch, a slightly bigger version was tried in the second sample. Six strands of cotton skein was used to work the samples.
The diagonal working of tent stitch is the first sample. The second sample is the filling with tent stitch.
Tried some patterns in tent stitch in these samples.
The tent stitch sampler.
SSS. 51. Tent stitch sampler
It was an easy stitch to work, the anticipation to work a chart still remains there. God willing, another time it might happen.


Beyond TAST
Three days ago, I started experimenting on this month’s beyond TAST challenge. At the moment, trying some possibilities of a stitch is quite engrossing. Whether it looks nice or applicable is not so important. It is like a stitch journal. Thinking about a stitch is interesting, even if a single stitch is not made on the sampler.
SSS challenge.
The progress on this stitch has gone as far as downloading the stitch, reading the information and browsing some images on the net.
In RPW 2018 it was just downloading the chart.
Flamingo long stitch kit.
Light green was added on the right side.
Lighter green started on the tree two days ago. The work on this kit is quite slow.
Started back stitch on the back of this red gada tunic.WIPW167-rgadamirt-4


This month’s challenge by Sharon is a new thing for me. TAST challenge was helpful in exploring and studying so many stitches.
While browsing the huge Stitch dictionary of Sharon, I lose the purpose of the challenge every time and keep looking at the eye candy!

Each and every time I read the instructions and guidelines for this month’s challenge, I don’t know where to start and how to go about it. Puzzling over is not really challenge I suppose. I have decided to take baby steps and see where it leads to.
Started with cretan stitch.
Explored further with other shapes.  Kutch work influence can be seen in these samples!
After interlacing the hexagon shape in the first sample, tried working the cretan stitches from the same point, but different angles in the second sample. The herringbone square is expanded in the third sample. Two interlocking herringbone triangles are worked in the green sample, this led to crossing at the centre the four herringbone stitches in the yellow sample. The last sample is Algerian eye worked with fly stitches.
Algerian eye worked with long tailed detached chains, pistil stitches and long tailed cross stitches.

The samples-

Filling a shape with other isolated stitches seems like an interesting concept.


This stitch on SSS challenge is the basic stitch with which the Bayeux tapestry was worked. The working is illustrated by Queenie on her blog. Having read about this tapestry on the net, I never would have thought about learning more about the embroidery, if it hadn’t been for Queenie.
Seeing the manner with which the elements of the tapestry were stitched, an idea of attempting the stitches on Indian folk art came to mind. Madhubani is a folk art from Bihar, India. Big tapestries, paintings, wall decorations, floor decorations, cushions, bags, boxes are embellished with this art form. The elements are taken from nature and mythology. If the depicts Krishna, Ganesha or Goddesses with nature elements it is Madhubani. And if the same art form is used for depicting the story of Rama it is Mythila paintings. These folk art forms are used for working Kantha embroidery also.
For this challenge two elements were chosen- lotus and fish. The pattern
Started with the first stitch on lotus and outlining with black thread. at this stage the fillings were worked first and the outlines later.
In this part the outlining preceded the fillings. It seems better this way.
The knowledge of working Kantha embroidery helped in working the curved filllings.
The whole project was worked with cotton skeins. Four strands for fillings, and 3 strands for working the stem stich outlines.
SSS.50.Bayeux sampler
Actually I enjoyed working this embroidery, seeing the fish growing gave sense of satisfaction. The Bayeux stitch and folk art are worth pursuing further.

These past few days the projects were really works in progress.
Beyond TAST
Most time was spent on working the kogin and Swedish weaving samplers. Sashiko embroidery on Yellow table cloth could be completed.
Earlier week’s colonial knot is waiting to be worked. Keeping aside the Beyond TAST samplers for the time being, I am embarking on learning the Bayeux stitch. We have some many folk art in our country, Madhubani painting is one of them. There are human, animal, tree, bird, nature, God elements on it. A small Madhubani element is chosen to work the stitches.
The tunics will be handled after this work.