The tunic fabric is mangalagiri cotton with maroon and  yellow stripes.

yelmarmirt-fabric

yelmarmirt-fabric

I came across a geometric border on a tunic in a shop. This was a printed border. I wanted use this design idea for embroidery on tunic. This inspired pattern had both mirror and kutch work elements.

yelmarmirt-pattern

yelmarmirt-pattern

Starting with metallic thread and small kutch elements.

yelmarmirt-1

yelmarmirt-1

Chain stitch outline in green thread.

yelmarmirt-2

yelmarmirt-2

The same green thread is used for continuous kutchwork design.

yelmarmirt-3

yelmarmirt-3

Medium square mirrors were stitched on this embroidered border.

yelmarmirt-4

yelmarmirt-4

It was hard to take a straight picture of this tunic, because of the mirrors.

yellow maroon mirrorwork tunic

yellow maroon mirrorwork tunic

The detail of the sewn tunic with embroidery.

yelmarmirt-det

yelmarmirt-det

This being a geometric design, it also was an inspiration for this black work border. I have not used this pattern.

yelmarmirt- blackwork pattern

yelmarmirt- blackwork pattern

This embroidery around the neck of this cream and yellow printed cotton tunic was done in the fourth quarter of the year 2013.

creyelneckt-fab

creyelneckt-fab

The embroidery was on bright yellow cotton fabric, which was also the salwar fabric. The pattern had two parts, a medium size kutchwork border and a curved design. Both were worked with cotton skeins. I tried to bring an assissi effect, by working the background with herringbone filling and outlining with back stitch. The tunic-

cream&yellow neck tunic

cream&yellow neck tunic

The embroidery detail-

cream yellow neck tunic detail

cream yellow neck tunic detail

The pattern.

creyelneckt-pattern

creyelneckt-pattern

This mirror work yoke was done in 2012. The idea was to have a filing pattern made of mirrors. I had small and big square mirrors which were ideal for drawing the pattern on 2mm graph paper.

100 mirror yk-pattern

100 mirror yk-pattern

The tunic was deep red with block printed yellow motifs. Deep red fabric was chosen to work mirrors. Two colours were based on the tunic- deep red and yellow. Green colour was also added to give it and full Indian ethnic look. The outlines were done in chain stitch. The detail.

100 mirroryk-detail

100 mirroryk-detail

I wear a yellow leggings with this short tunic otherwise called short kurthi. The tunic-

100 mirror yoke tunic

100 mirror yoke tunic

when I counted the number of mirrors on the pattern,it came to 100, so the name stuck.

This type of tunic with simple embroidery is always in fashion. The tunic fabric is handloom cotton.

beimarstrit-fabric

beimarstrit-fabric

I had another handloom [mangalagiri] cotton fabric with zari border. The pattern was drawn on that.

beimarstrit-1

beimarstrit-1

The embroidery was worked with cotton skeins, metallic thread and stones were added as embellishments. Herringbone filling stitch was done in red thread.

beimarstrit-2

beimarstrit-2

The same stitch was used with the beige thread too.

beimarstrit-3

beimarstrit-3

The outline was done with gold metallic thread, worked like this it looks like Aari work. This I have to learn one day.

beimarstrit-4

beimarstrit-4

The last part of this piece was completed with stones.

beimarstrit-5

beimarstrit-5

The tailor did a good job of sewing this tunic, again I love the neck line. The extra zari borders were sewn on the sleeves.

beige maroon striped tunic

beige maroon striped tunic

The pattern for this embroidery.

beimarstrit-pattern

beimarstrit-pattern

The detail –

beige maroon striped tunic detail

beige maroon striped tunic detail

 This tunic is worn  with maroon jeggings. The fabric feels very cool in summer. I feel the zari border played a big part in this tunic project.

 

This tunic fabric is cotton with block printed motifs in grey and blue colours wit border.

whigreyblu-fabric

whigreyblu-fabric

The embroidery was worked with cotton skeins and metallic silver thread. First thread was grey. Herringbone stitch fillings and chain stitch outlines were done with this thread.

whigreyblu-1

whigreyblu-1

Three shades of same blue were used. first was the medium blue thread. The stitches were the same.

whigreyblu-2

whigreyblu-2

Again the fillings are done with herringbone stitches and the outlines in chain stitch.

whigreyblu-3

whigreyblu-3

The lightest blue is used for outline.

whigreyblu-4

whigreyblu-4

After working the embroidery with cotton skeins, the silver metallic thread was used to define the outlines and other smaller details.

whigreyblu-5

whigreyblu-5

The last thread on this project was white cotton skein.

whigreyblu-6

whigreyblu-6

This embroidered centre piece was sewn on to the tunic by the tailor, who did a great job on the neckline.

white grey blue tunic

white grey blue tunic

The closer look of the tunic.

whigreyblu-detail

whigreyblu-detail

The pattern of this centre piece, based on traditional Indian design.

whigreyblu-pattern

whigreyblu-pattern

This was a simple embroidery, I like working on traditional designs.

In this project the embroidery was worked on a ready to wear tunic. The tunic was bought at a shop-FabIndia- which specializes on Indian handloom ethnic wear. The tussar silk stole with metallic block print-

greentussar-duppata

greentussar-duppata

A tussar silk tunic to match this stole-

greetussar-1

greetussar-1

A traditional Indian pattern-

greetussar- pattern

greetussar- pattern

The threads were fine silk, cotton skeins and metallic gold. Started the embroidery with medium blue silk thread- chain stitch and herringbone.

greetussar-2

greetussar-2

Darker blue silk thread for inner row of chain stitch and double herringbone filling.

greetussar-3

greetussar-3

Green cotton skein for chain stitch on stem, leaf stitch.

greetussar-4

greetussar-4

White silk thread used for chain stitch.

greetussar-5

greetussar-5

Finally chain stitch embellishing was done with gold metallic thread.

greetussar-6

greetussar-6

Detail-

greetussar-7

greetussar-7

These Indian stoles[ dupattas] are quite long- 2.5 metres. They need to be worn over both shoulders, otherwise we’ll be sweeping the ground stylishly! This embroidery was worked in the centre just below the neck, where it can be seen. A small motif with all the colours on the duppata seemed ideal. This pattern works well for Aari work too.

Added later-

Queenie requested to see the embroidered tunic with dupatta.

The embroidered tunic with dupatta-

Greetussar-8

Greetussar-8

When the dupatta worn over both shoulders

greetussar-9

greetussar-9

I use these plastic loops for embroidery. Remove them when they are not in use.

embroidery loops

embroidery loops

This tunic fabric is block printed cotton with border.

bluykpriwhitet-1

bluykpriwhitet-1

The embroidery was done on blue cotton fabric. The surface satin was worked in blue silk thread. Mirrors were to be added later.

bluykpriwhitet-2

bluykpriwhitet-2

Stem stitch was worked with green cotton skein.

bluykpriwhitet-3

bluykpriwhitet-3

The chain stitch outline was done in variegated polyester thread.

bluykpriwhitet-4

bluykpriwhitet-4

The petals filled with chain stitch in medium pink cotton skein.

bluykpriwhitet-5

bluykpriwhitet-5

The filling completed with lighter pink cotton skein.

bluykpriwhitet-6

bluykpriwhitet-6

The inner outline in buttonhole stitch was worked with white cotton skein.

bluykpriwhitet-7

bluykpriwhitet-7

Small square mirrors stitched in the centre.

bluykpriwhitet-8

bluykpriwhitet-8

The completed tunic with embroidered yoke and sleeves with attached border.

blue yoke on printed white tunic

blue yoke on printed white tunic

The detail

blue yoke on printed white tunic detail

blue yoke on printed white tunic detail

This tunic being cotton is ideal for our summers, it is worn with blue jeggings. I fell for the tiny prints on this fabric. The embroidery work was simple. The pattern-

bluykpriwhitet-pattern

bluykpriwhitet-pattern