ethnic design


The story of this yoke starts with this striped cotton fabric.
cremirt-salwar
Thinking all these colours can be used for embroidery on a cream base, a cream cotton fabric was chosen for the tunic. This cream mangalagiri handloom cotton fabric was given to the tailor for marking the front and sleeves.

And  a simple border design was embroidered on the sleeves.
cremirt-sleeves
The pattern for the same.
cremirt-pats
The embroidery for this mirror work started with green colour skein. The mirror outlines were worked n chain stitch, the curls were worked in stem stitch and the leaves in leaf stitch.
cremirt-1
The second stage was to work the orange colour skein. Chain stitches and buttonhole stitches were worked with this thread.
cremirt-2
Next in line was the antique violet colour skein. The triangles around the neck were worked in buttonhole stitches and the second mirror outlines were worked in chain stitch.
cremirt-3
The last outline around mirrors were worked in polyester gold colour thread.
cremirt-4
The diamond shaped mirrors were outlined with variegated polyester thread.
cremirt-5
The remaining chain stitch outlines were worked in yellow colour skein.
cremirt-6
The same yellow skein was used for working all the mirrors.
cremirt-7
Oval shaped gold bead was the last detail to be worked on this embroidery.
cremirt-8
The pattern for this yoke.
cremirt-paty
The completed tunic.
cream mirror work tunic
This was the story of this tunic in 2014. After two and a half years, the same yoke became a part of another tunic. Which will be narrated later.

I have been in India for the past few weeks. I could stay here till first week of May. Generally stitching comes to a standstill on a vacation. Browsing the net is minimal. This routine is not working now. Too much laziness is also not good. I might forget everything.
It is hard to work the stitch challenges. They are put on hold.
I have two sewn tunics to be embroidered. The first tunic is mangalagiri with chanderi silk cotton patch.
WIPW126-oryelkutcht-1
I had drawn a kutch work design is Muscat for this. The embroidery on this tunic was started.
WIPW126-oryelkutcht-2
The second tunic in white mull fabric on which mirrorwork needs to be done on the black borders.
wipw126-whblamullmirt-1
My neighbour is sewing a blouse for her sister. She wanted a simple embroidery on it. We have bought some red and white stones for embellishing. The fabric needs to be marked.
WIPW126-peachb-1
These information posted here is for motivating me to start doing some embroidery work.

Challenges
On Sunday stitch school challenge last week’s heavy chain stitch was worked on folk design in red thread. This week’s stitch is interlaced running stitch. Expecting to start the sampler today.
TAST challenge continues from today. This week’s stitch is magic chain or checkered chain. The link to the earlier worked sampler was posted on FB group page.
No progress at all on RPW 2016 challenge. Another challenge for 2017 has started on their blog last week.
Never ending sampler SAL is still in stage of  browsing the other people’s work.
Zardosi
Started with green threads on this piece. Some more progress has been made on the curves with a lighter green thread on the curves. The picture will be taken after completing this treatment. Content with the progress on this project this week. It was slightly boring to work the chain stitches. Now working on stem stitch.
wipw120-cresilkbanarasizardosi-4
If a change is required, a different project has to be worked, which will take time from this project.

This tunic was worked in 2013. The fabric is mangalagiri cotton. We call this colour as sandalwood colour. This fabric was fairly thin for it to be used for chikan work embroidery.
Though generally,  the chikan work embroidery being shadow work, the closed herringbone stitches are worked on the wrong side of the fabric. There are many exceptions to this.
I wanted to work closed herringbone stitches on both sides of the fabric.
The tunic.
sandal-chikan-tunic
The tailor had marked the sleeves and the front of the tunic. The yoke pattern
sanchik-yokepat
The yoke and the sleeve embroidery patterns were traced on to the fabric.
sanchik-sleevepat
The threads used were-
sanchik-threads
Starting with darkest colour, the closed herringbone stitches were worked.
sanchik-1
The next colour was also worked in the same manner.
sanchik-2
The third colour which was very light compared to the other two was worked on the right side of the fabric. This time it was fish bone stitch.
sanchik-3
Cream colour thread was used for outlines and french knots.
sanchik-yokedet
The sleeves were worked in the same manner.
sanchik-sleeve-det
The detail of the tunic.
sandal-chikan-tunic-det
Early 2013, my computer had some problem, and I lost most of the images of the details of the embroidery projects worked after june 2012. This kept me discouraged for quite some time. So there is a backlog of project details from 2013. I am hoping to post these whenever time permits.

This stitch has been on to do list for quite some time. Now it is introduced as this week’s stitch on Sunday stitch school challenge. The working of the stitch is on Queenie’s blog.
The samples and variations of earlier stitches of this challenge were worked as band samplers. This being a linear stitch, it might be an echo of those samples. So, the idea is to work this stitch on a pattern for a needle book. After pondering over the designs, a European folk design was chosen. The stitch was worked with anchor cotton skein #46.
sss-8-heachst-1
Though it is the first time, this stitch was tried, it is an easy stitch to work. The repetitive movements were so relaxing, that I could enjoy and appreciate the beauty of the stitch. This is quite rare because, there is always a compulsion to complete a particular colour, design or project, that leaves me speculating whether that particular piece was gratifying by itself.
sss-8-heavy-chain-stitch
It is easy to work this stitch on straight lines, curves, points. Two strands of skeins are used to work this stitch. More number of strands or perle cotton may give a bolder and brighter look.
Now this piece needs to be sewn into a needle book.

Happy New Year!
After a weeklong vacation in Chennai, India, we went to Dubai for two days last week. Two full weeks of doing everything else but stitching. Meeting family, making plans, shopping… the list is endless. Some fabrics were bought, which will be shared on this category as and when they are designed. Now for the works in stand still.
Challenges
RPW 2016- Some motifs were started four weeks ago. The project is in the same position, though the challenge was completed officially on 31st December. Still a long way to go, hoping to take a picture of the progress this week!
TAST Challenge is taking a break for two weeks.
Sunday Stitch School- I am yet to start the latest- four sided stitch. Queenie who is conducting this challenge, was affected by Influenza, poor thing! Will feel happy if I can manage to start this stitch sampler tomorrow.
Never ending sampler stitch Along
This is a band sampler challenge started by Pamela Kellogg. The details are on her blog. I am still not sure about starting this challenge. But the cross stitch and black work bands are really interesting, and really want to see how the SAL members are treating these bands. Just read about it on Sharon’s Pintangle last week.
Marash embroidery
Yellow printed silk tunic with kutchwork
This project was completed yesterday. The time slot between, coming back from India and leaving for Dubai, was solely used for this project. it is to be given to the tailor.

WIPW117-yeprinkutch-5

WIPW117-yeprinkutch-5

Zardosi work on silk tunic for green Banarasi duppata
I had this green banarasi brocade duppata for quite a long time. Few years ago, a tunic was designed and embroidered. But it didn’t look interesting after some time. This time around, a cream silk fabric is chosen for the tunic and the dark green cotton fabric is for the salwar.

WIPW117-cresilkbanarasizardosi-1

WIPW117-cresilkbanarasizardosi-1

A simple pattern consisting of linear stitches is drawn on this raw silk fabric. After working the stitches, the piece will also be embellished with green zardosi beads. I took this fabric with pattern drawn to India, in the hope of working on this project. But it came back intact in the box it was taken.

WIPW117-cresilkbanarasizardosi-2

WIPW117-cresilkbanarasizardosi-2

Cross stitch on blue polyester linen
This project was in mind for some months. I was shillyshallying between working cross stitch on aida cloth or on the fabric itself with waste canvas. There were many indecisive pattern choices. At last a pattern made up of two borders was selected.

WIPW117-n.bluepolinencross-1

WIPW117-n.bluepolinencross-1

The decision is to work on 11 count Aida. The embroidery will be for the end of the sleeves. The tunic design will be decided later. The Aida on which these borders are to be worked.

WIPW117-n.blluepolinencross-2

WIPW117-n.blluepolinencross-2

Stitch challenges
RPW 2016 chart of the week was completed on Saturday.
This week’s stitch on Sunday Stitch School challenge is Danish knot stitch. I want work the samples as a band sampler. Still in the process of thinking on this sampler.
TAST 2016 week’s stitch is Twisted lattice band. The samples were worked in 2014. The link to the details was posted on Pintangle and TAST FB group.
Marash embroidery
Yellow silk tunic
After completing the pattern in yellow thread, I started with light green thread.

WIPW114-yelprinkutch-3

WIPW114-yelprinkutch-3

Copper mangalagiri tunic has bead work along the border and is now ready to wear.
A design was drawn for embroidery on a string bag. The idea for this embroidery was from Mary’s Needle and thread blog.

WIPW114-sbag'16-1-1

WIPW114-sbag’16-1-1

I also picked up the kantha work on black fabric for maroon black ikat tunic.

WIPW114-marblaikatkantha-4

WIPW114-marblaikatkantha-4

This tunic with printed chanderi fabric on the neck, hem and sleeves came from the tailor. This project needs a small motif to be worked below the neck.

WIPW114-orayelchanderikutch-1

WIPW114-orayelchanderikutch-1

Now to start the Danish knot sampler.

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