bead work


The Randje per week2016 chart of the week was completed on Saturday. This week’s TAST stitch is inverted feather stitch. Looking at the earlier worked sampler does not give me much satisfaction, the stitches don’t look good at all. But still the link was posted on the FB group page.
Marash embroidery
Pink kutchwork border on green
Now that the green thread has come into the project last week, I decided to move on to the yoke with the green.

WIPW108-whigremajekutch-7

WIPW108-whigremajekutch-7

Orange violet combo tunic
The orange fabric on this tunic has woven checks. It is to be left as it is. The embroidery pattern was traced on to the violet fabric.
Mirror work
All the square mirrors were worked on the beige tunic. The last part in this project is the beads. Brown metallic beads were attached on the sleeves.

WIPW108-beigemirt-10

WIPW108-beigemirt-10

At this point, there does not seem to be any embroidered tunic fabric ready to be given to the tailor, some fabric which may not require embroidery has to be chosen.

I had bought this ready to wear Patiala with the matching dupatta. A mangalagiri fabric of the base colour of the Patiala is given to the tailor to be sewn.

WIPW108-coppatialamant-1

WIPW108-coppatialamant-1

This is the latest tunic where blue is matched with yellow and orange. In Muscat, Oman, we get oxidized silver accessories. Most of them have beads on them. Different shades of corals are available and they are coordinated with turquoise beads. These are feast for eyes in the souq. Mind slowly started generating patterns for projects built on these inspirations.
This tunic started with the yellow fabric printed with orange motifs. A kutchwork design with allowance for mirrors was drawn along with two other embroidery designs. The choice was to work the embroidery on yellow fabric or orange fabric. With the orange fabric being available yellow was the first colour chosen. The next choice was green. The fly stitches on the leaf pattern.

yelorbluet-1

yelorbluet-1

Two kutchwork motifs were worked in orange thread which was lighter than the fabric colour.

yelorbluet-2

yelorbluet-2

Another motif pattern had an option of being worked in two threads, the central diamond are worked in maroon thread.

yelorbluet-3

yelorbluet-3

Starting with the idea of incorporating blue into this design, the corners of this square motif was worked in blue thread.

yelorbluet-4

yelorbluet-4

The yellow from the fabric was the next colour, the same motif pattern which was worked in lighter orange was now worked in yellow thread.

yelorbluet-5

yelorbluet-5

The fly stitches are outlined with buttonhole stitch in lighter green thread.

yelorbluet-6

yelorbluet-6

Open chain stitches are worked in white thread to outline the mirrors inside the orange and yellow kutchwork motifs. The piece itself was outlined with back stitch.

yelorbluet-7

yelorbluet-7

Mirrors were worked in the same fabric yellow in the space between the leaf patterns.

yelorbluet-8

yelorbluet-8

Square mirrors in blue thread are worked inside the square motifs.

yelorbluet-9

yelorbluet-9

These blue beads are made of wood and dyed in blue.

yelorbluet-10

yelorbluet-10

The blue handloom cotton fabric with stripes was perfect for this set.

yellow orange patialablue tunic

yellow orange patialablue tunic

Outlining the embroidered piece and the sleeves with the yellow orange fabric was a good choice. Though this idea was mine, I could see the satisfaction in my tailor’s eyes. He is quite stingy with praises.

yeloow orange Patiala blue unic-det

yeloow orange Patiala blue unic-det

The pattern for this embroidery-

yelorbluet-pattern

yelorbluet-pattern

This brown ikat fabric was there for quite some time. The weave gave an impression of yellow. This brought about an idea of working the embroidery in yellow.

brgryel-fabric

brgryel-fabric

Suddenly a green fabric popped into the picture and I started working the embroidery on it. The embroidery was mainly worked in herringbone stitch with a chain and buttonhole stitches thrown here and there.

brgryel-1

brgryel-1

Then slowly brown thread came into the picture.

brgryel-2

brgryel-2

Most of the herringbone shapes are now outlined in brown thread.

brgryel03

brgryel-3

After outlining the leaf shapes in green thread, variegated fine silk thread was used.

brgryel-4a

brgryel-4a

These details show clearly the places where variegated thread was used.

brgryel-4b

brgryel-4b

Continuing with gold metallic thread.

brgryel-5

brgryel-5

Gold beads and sequins were added in the last part of this embroidery.

brgryel-6

brgryel-6

The detail of the embroidery placed on the brown ikat fabric.

brgryel-7

brgryel-7

I realize that the green fabric is overpowering. A slight shift had to be done, so a yellow cotton fabric was bought. This combo was given to the tailor and it came back like this.

brown green yelowtunci set

brown green yelowtunci set

The yellow tunic.

brown green yellow tunic

brown green yellow tunic

Now for the detail. The embroidery and the sleeves have brown ikat fabric on them.

brown green yellow tunic detail

brown green yellow tunic detail

The embroidery pattern.

brgryel-pattern

brgryel-pattern

This project taught me to be cautious before bringing in another colour [this case, green]. And if the deed is already done, start looking for ways to improvise, this case plain yellow fabric.

I had designed three pieces for embroidery on tunics in February when working on a long project. This is the second piece. After completing the work on this blue silk cotton fabric, the piece suited a white chanderi silk cotton tunic fabric and I found the embroidery done around the mirror was worth sharing .
It started with the pattern-

mirblue-pat

mirblue-pat

Buttonhole stitch variations are worked over the pattern drawn.

mirblue-1

mirblue-1

The small oval shapes were intended for detached chain stitches. I felt oyster stitch was  a better choice. It so happened while working on this stitch, SharonB announced oyster stitch on this week’s TAST 2016 challenge. These oyster stitches were worked in four strands of cotton skein.

mirblue-2

mirblue-2

The triangular space around the mirror pattern was worked in herringbone filling.

mirblue-det1

mirblue-det1

The space between the two outlines was worked in herringbone and fly stitch combination in pink and green.

mirblue-det2

mirblue-det2

Zigzag back stitch was worked around the inner round. This was not part of the pattern.

mirblue-3

mirblue-3

Long tailed chain stitches in white thread were worked in between the buttonhole stitches. this detail was also not in the pattern.

mirblue-4

mirblue-4

The whole piece after working back stitches with white thread.

mirblue-det3

mirblue-det3

A medium size round mirror was attached to the centre with shisha stitch.

mirblue-5

mirblue-5

Small square mirrors were attached with shisha stitch between the two outlines.

mirblue-det4

mirblue-det4

After working the mirrors, small silver sequins with silver beads were stitched on to this piece. The mirror detail-

mirror work on blue detail

mirror work on blue detail

The piece with completed embroidery.

mirror work on blue

mirror work on blue

RPW 2016
This week’s chart on Randje per week 2016 challenge was completed on Saturday, the day it was posted.
Grey crepe tunic
The progress is quite slow on this tunic. Another motif was completed on the front of the tunic. Though it is chain stitch filling in one colour at this time [the stitches in blue thread was worked first], and I work for two hours in a day, the progress is very slow.

WIPW78-greytunickashmiri-4

WIPW78-greytunickashmiri-4

We are still working on the pink and blue raw tunic for my friend. Double cross stitch variations with beads are worked over evenly placed marks on the sleeves.

WIPW78-pink&lue-1

WIPW78-pink&bluetunic-1

TAST 2016
The samples of this week’s Vandyke stitch on TAST 2016 was already worked in 2013. This was posted on facebook group page yesterday

These are the last few ideas to work this stitch on this sampler.

1.24.interlaced cable chain stitch sampler2

1.24.interlaced cable chain stitch sampler2

Instead of working the interlacing on the chains, the stitches between the chains are used for interlacing in the first sample. The chains are left untouched, because the interlacing does not pull the chains. Now I wanted to work the cable chain stitch rows in such a way, the interlacing can be worked on all chains in one journey. That experiment is successful.

1.24.intcabchst-6

1.24.intcabchst-6

If the interlacing can be done in one journey, is it possible to work beads while interlacing? The answer is yes. In this variation beads can be used while interlacing.

1.24.intcabchst-7

1.24.intcabchst-7

In the first sample, a lace was stitched with a row of cable chain stitch and interlacing was done. It was complex to maintain the uniformity of the two rows to work the interlacing. In the last sample after working cable chain stitches with beads in between the two rows are interlaced.

1.24.intcabchst-8

1.24.intcabchst-8

With this sample the interlaced cable chain stitch sampler is completed. I had bought more than few rounds of this polyester thread. They come in nice colours, but not really ideal for working the stitches. Still I need to work with them to exhaust the stash somehow! The whole sampler-

1.24.interlaced cable chain stitch sampler

1.24.interlaced cable chain stitch sampler

This week’s edges were completed today. Happy to stay within this schedule of completing on time. The free graph for these edges are here. Beaded cross stitches are continued this week also. The edges before incorporating the beads.

RPW2015-101,102

RPW2015-101,102

After working the dark green glass beads. Image is not perfect.

RPW2015-101,2012 bead

RPW2015-101,2012 bead

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