details


The story of this yoke starts with this striped cotton fabric.
cremirt-salwar
Thinking all these colours can be used for embroidery on a cream base, a cream cotton fabric was chosen for the tunic. This cream mangalagiri handloom cotton fabric was given to the tailor for marking the front and sleeves.

And  a simple border design was embroidered on the sleeves.
cremirt-sleeves
The pattern for the same.
cremirt-pats
The embroidery for this mirror work started with green colour skein. The mirror outlines were worked n chain stitch, the curls were worked in stem stitch and the leaves in leaf stitch.
cremirt-1
The second stage was to work the orange colour skein. Chain stitches and buttonhole stitches were worked with this thread.
cremirt-2
Next in line was the antique violet colour skein. The triangles around the neck were worked in buttonhole stitches and the second mirror outlines were worked in chain stitch.
cremirt-3
The last outline around mirrors were worked in polyester gold colour thread.
cremirt-4
The diamond shaped mirrors were outlined with variegated polyester thread.
cremirt-5
The remaining chain stitch outlines were worked in yellow colour skein.
cremirt-6
The same yellow skein was used for working all the mirrors.
cremirt-7
Oval shaped gold bead was the last detail to be worked on this embroidery.
cremirt-8
The pattern for this yoke.
cremirt-paty
The completed tunic.
cream mirror work tunic
This was the story of this tunic in 2014. After two and a half years, the same yoke became a part of another tunic. Which will be narrated later.

We have another new stitch on SSS challenge this week-Y-stitch. The working is on Queenie’s blog.
The sampler starts with the basic Y stitch. The Y stitches are worked closer in the second sample. The twisted chains are extended in the third sample. The fly stitches are longer in the fourth sample.
SSS.25.yst-1
It is time to work the Y stitches horizontal. These horizontal Y’s are the first sample row. The Y stitches are worked first from left to right and from right to left to make a double row of Y stitches in the second sample.
SSS.25.yst-2
An easy stitch to work. This stitch can be used as filling an empty space. This also gives rise to the idea of working two different stitches together. It will be an interesting exercise. The whole sampler.SSS.25.Y-stitch sampler

Stitch challenges
The last two week’s challenge stitches on TAST challenge were worked on earlier challenges. So not much of work is there on it. Yet to start exploring another innovative stitch on SSS challenge.
Projects
Two projects came as a surprise.
The green benarasi georgette tunic came back from the tailor without the inner neckline! He thought it was something to be trimmed out. After getting over this idea of vanishing neckline, I might be able to get on the job of placing the white stones.
Another surprise started in India. I had cream tunic with mirror work on it worked way back in 2014. It was slightly short and did not go well with the salwar. I had a lavender fabric to be matched with the mentioned salwar. Suddenly these two – the cream tunic and the lavender fabrics got together and became one lavender tunic with cream mirror work.
The cream embroidered piece needed some lavender elements on it, the work on it started on Monday.
WIPW136-lavcreyk-1
More details will be posted in a few days.
Simple embroidery for the blue block printed tunic was started on cream fabric.
WIPW136-bublot-kutch-2
The work on string bag was completed and is with the tailor. I should definitely start sewing again if time permits.
The violet matka silk needs zardosi embroidery border worked in pink silk/ cotton fabric. it started with chain stitch in violet metallic thread.
WIPW136-msilkzardosi-2
It was a productive week.

This seems like a new found stitch on SSS challenge. The working is on Queenie’s blog. This is extension of cross stitch or ‘X’ stitch.
After working the cross stitches in variegated thread, the straight stitch rays are worked in orange thread.
SSS.24.x-rst-1
Some more variations of rays on this part of the sampler. Angling the rays add another dimension to this stitch. The possibilities become more.
SSS.24.x-rst-2
This sampler is completed with these samples.
SSS.24.x-ray stitch sampler
By arranging the stitches in a systematic manner we can fill large spaces on fabrics. Very useful stitch and opens up the mind to work these rays on other stitches.

Embroidery is now part of daily schedule. The fasting during the day for Ramadhan started on Saturday. And the summer is in full swing. It is s hardship for people who are fasting this year.
I worked on vault stitch on SSS challenge and didn’t have to work on TAST challenge, because it was worked earlier.
Projects
The cross stitch pattern on sleeves for this polyester linen tunic was completed and the fabrics are with the tailor.
WIPW134-nbluepolinencross-5
After working the white stones, I started with green and gold zardosi beads for green benarasi georgette tunic. Cutting the zardosi beads and working the embroidery takes a little time.
WIPW134-benagreen zardosi-4
Being summer, Designing embroidery for some cotton tunics would be better. So that they can be worn this summer itself.
Had written this post on Wednesday. But could post it only today.
Update- I have just started working on whipped running stitch sampler

This week’s stitch on SSS challenge is vault stitch. The working of this needlepoint stitch is on Queenie’s blog. I have never heard of this stitch. It goes by other names too [ex] fan vaulting, Church roof stitch… I was trying to find this stitch on the net, but was not very successful.
The stitch consists of two parts, one worked vertical and second part horizontal. First I thought this was just a variation worked by Queenie, then realized the stitch is completed only after working both parts.
The sampler is started with the basic vault stitch. In the second sample the horizontal stitches are narrow. The third sample is a variation- the horizontal stitches are worked wide and narrow alternatively. In the fourth sample, the vertical stitches are short.
SSS.22.vaust-1
In the second part of the sampler, the first row is vault stitch worked in two colours. The two threads were worked continuously by parking aside the non-working thread. The vault stitch is outlined with running stitch in the second sample. Three arrangements were tried with vault stitch in the last part of the sampler.
SSS.22.vaust-2
It was interesting to arrange the vault stitch in the last part of the sampler.
SSS.22.Vault stitch sampler
With these samples vault stitch experiments are over.

Oyster stitch samples were worked during earlier TAST challenge. This week’s stitch on TAST 2017 challenge is beaded oyster stitch, the working of which is here on Sharon’s Pintangle.
All the samples are worked with four strands of cotton skein and glass beads. The first sample is the basic beaded oyster stitch. The second sample has three continuous beads after the oyster stitch. Two oyster stitches and two beads together, and this is repeated in the third row.
TAST2017.4.146.beadoysst-1
Zigzag beaded oyster stitch forms the first row in this part of the sampler. Instead of completing the oyster stitch with a bead, I worked the oyster stitch around a bead in the second sample. Isolated oyster stitches with three beads form the third row. Beaded oyster stitches are used to work flowers in the last set of samples.
TAST2017.4.146.beadoysst-2
This is the whole beaded oyster stitch sampler.
TAST2017.4.146.beaded oyster stitch sampler
I wanted to work the beads into the oyster stitch itself, but felt it would be hard to maintain the uniformity of the stitches and dropped the idea. Two more stitch samplers were also worked in India. Will post the details soon.

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