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I am two days late in posting the works in progress. It is hard to remember the days in Chennai. After completing the Q stitch on SSS challenge, a project on silk blouse was done during this week. This blouse fabric had a wide gold border. My neighbour wanted some simple embroidery with stones and beads. Started the embroidery work with chain stitch in green silk thread.
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Another chain stitch row with gold thread.
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The saree is also the same peach silk with gold border. We could get dark red stone, the medium red stones did not match well with the richness of the silk fabric. Therefore chain stitches in red silk thread was worked on the semi circles created by green chain stitch row. The dark red stones were to be stitched here. I was hoping to subdue the colour of the stone to match with the fabric.
WIPW128-peachb-3
A small motif in gold was scattered here and there on the saree. I tried work a motif in gold thread and beads. After working the red stones and gold beads.
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My friend who was sewing this blouse for her sister, wanted white stones on this project. I started with the white stones hoping it would go well with the beads, red stones and embroidery.
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Embroidery completed on both the sleeves of this peach silk blouse.
WIPW128-peach blouse
Another blouse is also there which needs to be embroidered.
WIPW128-viopinb-1
Before starting the work on this blouse, I want to work whipped spoke stitch sampler for TAST challenge.

This week’s stitch on SSS challenge is lace stitch or three sided stitch. This stitch comes under pulled thread embroidery. The working is on Queenie’s blog. Earlier in this challenge we had four sided stitch. The samples of four sided stitch were worked as any counted thread stitch and not as pulled thread work. Needing to expand my skill, I have decided to work this stitch as pulled thread work.
Started to learn this stitch on mati cloth. The fabric is far more accommodative than I expected.
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Then tried the stitch on a linen bought from IKEA. This is not the effect I want.
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Mati cloth it is.
An idea to work the samples along with some borders seems like a good one at this point. Maybe it is better to work within a specified area. Then what about looking for some frames which can be used for this?
The frame
12lace3sidst-frame
Measured the area to be worked and started with the first sample.
12-lace3sidst-1
The pattern for this. It is the basic three sided stitch. The black dots are were the fabric is pulled and create holes.
12-lace3sidst-1pat
Two rows of three sided stitch worked together looks like this-
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The pattern
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The idea for this sample occurred while learning the stitch on matti cloth.
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The pattern. Each hexagon need not be connected. That’ll make another variation.
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Three sided stitch worked on both sides of this black work pattern.
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The pattern
12-lace3sidst-4pat
These squares are not connected.
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The pattern
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The stitches are worked diagonally.

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The pattern
12-lace3sidst-6pat
The sampler is completed. A picture of the sampler was also taken. It was not easy to insert the sampler inside the frame. The problem was not foreseen. After uploading the images, noticed that the sampler image was blurred. I did not want to take it out and insert it again. The framed sampler-
12-lace-or-3-sided-stitch-sampler
It was very exciting to work on this sampler. I had tried pulled thread work when working on sumptuous surfaces class. But three sided stitch was tried for the first time on this challenge.
The matti cloth cooperated well.
The stitch itself is versatile.
I could work on another Stitch A Long in this project which was not happening for quite some time.
It was interesting learning process to fit the sampler within  the frame.
I could complete the work.

It was a good pastime to see designed stitch samplers on the net. Even though this is small piece I am happy to do this.

This week’s stitch on SSS challenge is Knotted satin stitch. This a broad version of rope stitch. The working of the stitch is explained in Queenie’s blog.
I have been interested in glazig embroidery. The name was known through Pinterest. It is contemporary, and colourful. Lots of room for creativity too. This person- Pascal Jaouen seems to have started this according to my knowledge. I may be wrong.
This Glazig embroidery is so attractive and inspiring. A notion of merging this week’s stitch and this embroidery seemed appealing. The project is for a string bag.
The colours-
sss-11-knsatst-col
Started working knotted satin stitch on this new peacock.
sss-11-knsatst-1
Still struggling for neat stitches. It is time to use the rope stitch for eyes and curves.
sss-11-knsatst-2
While work the stitches realized that, it could take quite a bit of time to complete the whole design. Should have controlled my enthusiasm before starting a medium size project like this. After working the outlines with rope stitch, this project is stopped for this challenge.
sss-11-knsatst-3
Though the mastering of this stitch is still far away, I am consoling myself with the idea that this is a study of the stitch.
There are two other challenges in Facebook- A year in stitches and Just one stitch. This project can be used for that. A little bit of stitching everyday might get this project completed. It will be good to have a creative project going on the side.

We have a new decorative stitch on TAST challenge. The working is explained by SharonB here. It is nice to be learning new applications of stitches on this challenge.
I started with the basic fancy herringbone stitch as shown by Sharon in the first sample. It is easy to see how the stitch is worked from this sample, but felt it didn’t look neat, so decided to decrease the height and width of the herringbone stitch row in the second sample. It looked like a braid. Tried increasing the height in the third sample.
1-70-fanh-bonest-1
Worked closed herringbone stitch and worked the interlacing on that in the first sample. In the second sample, a version of double herringbone stitch was worked and the interlacing is done only on the shorter herringbone stitches.
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In this sample the upright crosses are worked slightly closer to the centre and the interlacing is done on the inner vertical stitches.
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After working double herringbone stitch rows, the interlacing is done continuously around the crosses in the first sample. After working upright crosses on one side of the herringbone stitch row, individual fly stitches are worked on that side. And the interlacing is done around the crosses and fly stitches. This way so many other stitches can be used like- detached chain, wheat ear, pistil, Danish knot -to name a few. Even other linear stitches can be worked alongside and interlacing can be worked on them. Fancy stitches open so many possibilities.
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The sampler-

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The last five rows before starting fancy interlacing.1-70-fanh-bonest-b

This Japanese darning stitch is the tenth stitch on Sunday stitch school challenge by Queenie. The working of the stitch is on her blog. This is the first time I have seen or heard of this stitch. SSS challenge is a very good idea. So many new stitches to learn and explore.
Started the sampler with the basic stitch. Queenie had worked this stitch in two colours to explain the working of the stitch. The treatment was tried in the second sample.
sss-10-japdardst-1
The samples in this part of the sampler are worked with two rows of running stitch instead of three. First is the simple version. In the second sample, the running [?] stitches on the second row are worked in different heights. In the third sample, after skipping every second stitch on the bottom row, the running stitches are worked short and long alternatively. It was easier to work this sample than to write about it.
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The Japanese darning stitch with three rows of running stitches sandwiched between the two rows of running stitch version in the first sample. The Japanese darning stitch is worked as filling stitch in the last two samples, last one is an attempt to work the stitch diagonally. The last two were worked in stranded cotton and the rest of the sampler was worked with polyester thread.
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The whole sampler.
sss-10-japanese-darning-stitch-sampler
Japanese darning stitch and its half version will lend themselves to lots of seam options. Browsing for this stitch led to Sashiko embroidery. That goes to To Do list. This stitch is used mostly to repair or embellish textiles.
This challenge is giving an opportunity to open new doors in embroidery.

Interlaced running stitch is this week’s stitch study on Queenie’s Sunday stitch school challenge. The working is there on her blog.
TAST challenge has been running for ten years now. Running stitch was explored twice on it. First time the running stitch samples were simple and some samples  were taken after the idea of pattern darning. Second time around the running stitches were used on Kantha embroidery. Interlacing did not feature both times. I had bought this book some time ago, which had some options and project for interlaced and whipped running stitches. And Queenie was kind enough to include this stitch on SSS challenge.
sss-intrunst-bk
The explorations
The sampler started with simple interlaced running stitch and a row of simple whipped running stitch[ the decision to whip the running stitches just came on its own!] the rest of the samples are variations of interlaced running stitches.
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After working the running stitches in rows, this part of the sampler has running stitches worked to handle interlacing in different ways.
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In the first sample the running [?] stitches are worked vertically. The next two rows are interlaced and whipped running stitch combination.
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These samples are worked following the book mentioned above.
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With these samples this sampler was completed.

sss-9-interlaced-running-stitch-sampler

This tunic was worked in 2013. The fabric is mangalagiri cotton. We call this colour as sandalwood colour. This fabric was fairly thin for it to be used for chikan work embroidery.
Though generally,  the chikan work embroidery being shadow work, the closed herringbone stitches are worked on the wrong side of the fabric. There are many exceptions to this.
I wanted to work closed herringbone stitches on both sides of the fabric.
The tunic.
sandal-chikan-tunic
The tailor had marked the sleeves and the front of the tunic. The yoke pattern
sanchik-yokepat
The yoke and the sleeve embroidery patterns were traced on to the fabric.
sanchik-sleevepat
The threads used were-
sanchik-threads
Starting with darkest colour, the closed herringbone stitches were worked.
sanchik-1
The next colour was also worked in the same manner.
sanchik-2
The third colour which was very light compared to the other two was worked on the right side of the fabric. This time it was fish bone stitch.
sanchik-3
Cream colour thread was used for outlines and french knots.
sanchik-yokedet
The sleeves were worked in the same manner.
sanchik-sleeve-det
The detail of the tunic.
sandal-chikan-tunic-det
Early 2013, my computer had some problem, and I lost most of the images of the details of the embroidery projects worked after june 2012. This kept me discouraged for quite some time. So there is a backlog of project details from 2013. I am hoping to post these whenever time permits.

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