design


I could complete the green gold silk fabric for my friend this week. After that I was alternatively working with  these two  projects in progress.
 Green boat neck tunic.

The diamond  shaped mirrors are being stitched on this green boat neck top. I am working 2 or 3 mirrors at a time every day.
WIPW242-greeboatt-7
 Black and gold tunic.

The leaves and tendrils are worked in stem stitch with 3 strands. The stems are worked in 4 strands. At this point, I am thinking it is taking more time than expected. The design offers scope for more details. But if I work on them, this project might take time which is not practical. Keeping it simple and just be within the plan will be the best option. I took an aspect of a big paisley design and modified and  drew the size I wanted  from this book, I have.
WIPW242-blagolt-3
Though all designs are interesting, I tend to favour traditional Indian designs. Before being exposed to this embroidery world through the web, I grew up seeing these designs around. Hand embroidery takes time, to work on each and every idea may not be possible. But some of them are very inspiring, calming the mind and gives contentment too.

It was New Year day, after deciding to go with the projects in progress, by afternoon, an idea to start a new tunic project came to mind.
The tailor had marked a black silk tunic for embroidery 2 days before 2020 started.
blagolt-1
The gold fabric with black  border lines is a long stole [duppatta] for this black tunic. Earlier, I had drawn and prepared a single paisley design for this. After I  traced the pattern onto the fabric, my friend came with a sewn tunic, which she got from the tailor that day. He had sewn it well, she wanted to incorporate a small  motif all over the front of the tunic, which she had seen somewhere, but couldn’t get hold of it again .I tried some stitching on the inside neck with sample threads to give reality to her idea.
greegolt[c]-1
I started marking the placements of the motif and drew an upright cross[2 cm] on them that night. Next day I worked 2 motifs, and searched my stash also for similar options.
greegolt[c]-2
Her idea when she said I couldn’t interpret in embroidery, after deliberating for some time changing the metallic threads, we could arrive at something common. This is the motif she is happy with.It is worked brown metallic thread, silver metallic thread and same green silk thread.
greegolt[c]-3
Total number of motifs -31. I am still working on them. I completing each and moving onto another. This might be completed by next week.

This tunic top was worked in 2013.
The tunic fabric was bought to match with the ready to wear Patiala salwar pant.
plu&yel-sal
A simple pattern to be incorporated with gold beads.
plu&yeltpat
The embroidery with beads, sequins and mirrors.
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Detail
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The sewn tunic.
plum and yellow tunic

The tunic was designed and worked in 2012. The fabric was block printed soft cotton named mul mul. The work was ethnic Gujarati embroidery. The motif design was repeated on the sleeves and on both sides of the shoulders-front and back.
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Worked motif with the borders
crebrot-e
The sleeves were attached with red and brown pieces of fabrics, these were also embellished with embroidery and wooden beads.
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The tunic-
cream brown tunic

I am still working on projects this week. Generally, handloom cotton, silk, crepe fabrics are bought during trips to India. The season being cool here in Muscat, the silk and crepe fabrics are taken out for designing and embroidering. Some work is rich, intricate and time consuming. This year, even elaborate work is interesting.
Last week, the picture of the peach on cream chiffon was not clear. This picture shows the circles worked in detached chain and fly stitches. The chain outline is worked in two shades of peach silk threads.
WIPW209-creapeatz-3
This week’s progress is rope stitch on the stems and stone embellishment.
WIPW209-creapeatz-4
The work on navy blue blouse is faster because of closed herringbone filling. Realizing now, the gold metallic thread must have been harder to work, that is why it took so much time. Since it was repetitive, it was relaxing. The picture of the progress was not taken, because of the same motif.
A tussar silk in neutral colour is with the tailor for marking of neck and sleeves. The idea will be shared on next week’s post.

I am working only on projects this week.
Another idea is tried out on navy blouse. The paisleys are filled with closed herringbone stitch with variegated metallic thread. The initial idea was to fill these in chain stitch, realizing the time taken for this project, decided to fill with closed herringbone. One motif done! 5 more to go.
WIPW208-navymetb-5
The work on cream chiffon tunic started with tracing of the neck line on cream silk cotton fabric. Circles were drawn to work flowers. 7 detached chains and fly stitches are worked on the circles. This stitch arrangement is still in progress. The picture quality is not very clear.
WIPW208-creapeatz-2
I also found a lost project which I was searching for quite some time. This was a saree project. A few motifs were traced on one end of the saree, where it is draped over the left shoulder. This is called the pallu [Hindi] or thalippu [Tamil] of the saree. This saree was hidden in the wardrobe all this time.
WIPW166-phucreamsar-1

This week the progress is on the projects. This week’s SSS challenge stitch is interesting. It is an Indian stitch, but I don’t know it was. It will be good to study this stitch.
The work on navy blue blouse does take quite a lot of time. Just checking how an idea of stitching a  variegated silk thread which goes with the saree colour  would work out. It seems nice.
wipw204-navymetb-3
Taking a break from the blouse, the sleeves of the crepe tunic was started on black fabric. The idea is to work the embroidery is silk thread, so this black fabric seems ideal. Started with back stitch outlines and chain stitch with single strand of silk thread.
wipw204-blublazt-2
Beyond TAST stitches till now have been already worked stitches.

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